Posted on Leave a comment

Tattoo Industry is Transforming: A Melbourne Tattooist’s Perspective

Tattoo Industry Transformation

I have been working as a tattoo artist for 21 years, predominantly in Melbourne.

I have worked in all aspects of the business – as an apprentice; in large ‘parlours’; in a more intimate shop setting (that I owned and managed) and now in a private tattoo studio.

At the beginning of my career, I learnt the art of tattooing from the world’s-best tattoo artists. Having studied a BA in Visual Arts, I had – and still retain – a great passion for the art of tattooing. I have always applied the knowledge I gained from traditional art forms such as drawing and painting (and most recently lead lighting)

As a tattooist, I focus on the pursuit of achieving the finest detail that can be delicately applied to the skin – in its varying forms. Ultimately, I am to create a landscape of the highest quality.

Having the opportunity to create artwork on the human body is – to me – a great gift. To be given the opportunity to create and transform an idea into a tattoo masterpiece on someone’s body, where – presumably – it would remain forevermore has always been an honour.

In my career I began creating large tattoo pieces – full sleeves, full backs, chest and full sleeves; full legs; half legs and so on. My clients who choose large scale tattoos always come to me with a significant story in mind. They have purpose, meaning and symbolism that they want pieced together to tell a story that is very meaningful to them. Others just want beautiful images on their bodies.

Large scale tattoos, comprising great meaning, cannot be rushed!

Hannya mask back tattoo
Hannyamask Chest Tattoo
Hannyamask Chest Tattoo
Tibetan Back Tattoo
Tibetan Back Tattoo

Large pieces take a series of full days to complete. There are hours upon hours of work in sketching, stencilling and then tattooing these large pieces and they require a significant commitment from my clients. These clients know up front that work will need to be broken up and they willingly slot tattoo bookings into their calendar. Over the years, a lot of my clients have travelled interstate, sometimes overseas, to book these large pieces in with me.

Tattoo times are changing. It’s clear that people have become more budget focussed. Perhaps budgets are tighter and the luxury of getting a tattoo, or at least a large tattoo, is being put on hold.

There is less demand for larger pieces and significant growth in smaller, custom pieces and often in black and grayscale tones. I’m not the only tattoo artist in Melbourne to be noticing this change – it is certainly Melbourne and Australia wide.

So, what is a seasoned, tattoo artist with international training to do in this transforming tattoo climate?

Get on board of course!

In between the large-scale tattoos, I discussed above, I have also had the pleasure of completing a lot of smaller pieces. I have worked with many clients who have come to me specifically for a cover-up of a scar, stretch marks or unwanted tattoos and we have produced some amazing results that made a great difference to the client’s self-esteem.

I would love to do a lot more smaller pieces in the future. These tattoos are relatively easy to produce, require less commitment from my clients and are also budget friendly.

As I operate from a private studio, I can offer my clients a great deal of discretion while their tattoo work is being completed. Having worked in busy parlours, I am aware that it can often be uncomfortable for clients who are revealing their body while being tattooed. The private studio setting allows my clients to feel a great deal more relaxed and can enjoy the experience in a highly sanitised and peaceful setting.

If you haven’t followed me on Facebook or Instagram, jump on and take a look at some of my smaller tattoo pieces and the detail of some large pieces that can be modified to suit any smaller design.

I hope to put a lot more of my smaller tattoos up on the web gallery in the coming months so stay tuned.

Posted on Leave a comment

Interview with The Animalist

It’s always so rewarding when I get to tattoo a client, make a new friend and learn something from them at the same time.

Vincent Berraud is author of The Animalist and founder of Friendly and Pragmatic Vegans and Vegetarians. I was fascinated by his approach to educating us humans about the rights of animals and how we can show them greater care in our every day life.

I choose to use vegan inks and also take steps in my personal life to follow an animal-friendly lifestyle. I wanted to take the opportunity to ask Vincent more about his work and thought I would share his thoughts with you.

Have you always been a vegan?
No, definitely not. I’m not even sure that I’m vegan right now – it’d depend on who you ask. I am an animalist: just like humanist but inclusive of animals. I care about animals because there is no rational and fair reason to systematically ignore their interests. So I eat a plant based diet and I avoid animal products such as leather or wool, and so on, as much as is practicable for my family and I.

I went vegetarian in 1992 when a friend of mine went vegetarian. I thought it was very silly of him and I was confident, in a typically arrogant fashion, that I could prove him wrong and make him realise how pointless vegetarianism was. To my surprise, his replies weren’t silly at all and actually made some sense. It was before the age of the Internet, and for weeks we had a back and forth conversation about not eating animals and about the way animals are treated. Needless to say: I failed dramatically at proving him wrong. The whole experience made me think things through and slowly but surely I became a vegetarian, and questioned the way we systematically ignore the animals interests and treat them like commodities.

Animals are used in a way that would clearly be unacceptable if the victims were dogs or other family animals we have learned to understand. About a year later I went “vegan”, then went back to vegetarian as I moved to various poorer countries, then back to vegan again. I do not care about the line between vegan and vegetarian, to be honest. I am opposed to the egg and dairy industries, for sure, they are inherently cruel and promote a vision of animals as commodities, but I am also opposed to exclusive, black and white thinking.

What can humans do better in support of our animal friends?
We can stop eating them for a start. We can also learn to be friendly and pragmatic. This in turn will help us convince others to look at animals in a fair and reasonable manner. Animals should not be seen as products and as unimportant beings that we can use and abuse because we grew up doing it and our parents did too. Just like with racism and sexism, we have to break the cycle of exploitation.

We must accept less than 100% and we must embrace grey – and not see things as black and white. It’s OK for people to disagree and it’s OK not to be vegan. We all learned to walk with baby steps. The foot in the door technique is an efficient strategy that has been proven to work more often than not. Most people aren’t anywhere near ready to go vegan but if we can help them take a few steps, we should – preferably by helping them stop eating chickens because eating chickens means having more animal individuals killed, and often “raised” in the harshest of ways. And honestly, the pretend chicken meat we find in supermarkets is alright!

I find that Animals Australia does tremendous work to reach a mainstream audience and help change our culture towards more compassion. I kindly encourage everyone to set up a regular donation to Animals Australia.

Why is using vegan tattoo inks important to you?
Because it exists! It’s not a hassle to google for a tattoo artist who uses vegan ink, and it’s a quality tool to boot. I am not one to look for the next 0.1% I can do to further reduce my personal consumption of animal products but clearly, when there is such a good and easily accessible alternative, I think we need to go for it!

In your experience are there many vegan tattooists in Melbourne?
I don’t know. I could easily find a few with a quick google search but they weren’t necessarily super central. I’m just super happy I heard of Clare Keton because she’s immensely talented, has a lot of experience and she’s a lovely and caring person.

Obviously you maintain a holistic vegan lifestyle, what tips would you give a person wanting to consider becoming vegan?
Don’t delay any more! Do what seems possible now and don’t worry too much about what seems too difficult. There is no point in delaying just because you feel you can’t do it 100%. For example, if you want to try being vegan at home but have more flexibility when going out, do it! Be flexible and do what works best for you. Enjoy yourself and the positive changes you are making for yourself, the animals and the environment.

If you are looking for dietary advice, mainstream organisations such as Animals Australia or the Vegan Society have got great resources. When it comes to nutritional advice, it is worth consulting a registered, adequately qualified professional. There are many vegan registered dieticians. If you are just looking for some information, here are a few sites I recommend:

VEGAN HEALTH, By Jack Norris from Vegan Outreach: http://www.veganhealth.org/
The Vegan R.D., By Ginny Kisch Messina: http://www.theveganrd.com/
The Human Herbivore by Amanda Benham: http://www.humanherbivore.com/
Vegetarian Nutrition: http://vegetariannutrition.net/faq/
Physicians Committee for Responsible Medicine: http://www.pcrm.org/
Dr Malcolm Mackay: http://drmalcolmmackay.com.au/
Michael Klaper, M.D.: http://doctorklaper.com/

How did you find Clare’s tattooing work?
I now have five tattoos. Two of them were done by Clare and they are the best in terms of how well they were done. I am stoked. Couldn’t be happier.

 

Vincent Berraud, animal advocate, dad, teacher, gamer, footy fan and science enthusiast, author of The Animalist and founder of Friendly and Pragmatic Vegans and Vegetarians.
https://www.facebook.com/AboutAnimalism/
https://www.facebook.com/groups/fapvv/

Posted on Leave a comment

Work in progress – dragon Koi tattoo

clareketontattoos_wip_dragonhead

Another session completed on this dragon Koi tattoo that wraps over the client’s shoulder and down the back, progressing well!

Save

Posted on Leave a comment

Hannya mask back tattoo

Hannya mask back tattoo

A full half back Hannya mask tattoo with maple leaves I recently completed, thanks Sid!

Detail of Hannya mask back tattoo

Save

Save

Save

Save

Posted on Leave a comment

Back in the studio!

clareketontattoos_foodog_shishi_wip

I’ve had an awesome break and happy to be back in the studio!  I’ve only got a few days available for the remainder of 2016 and taking bookings for 2017.  Please contact me with your tattoo ideas!

Save

Posted on Leave a comment

New work – full sleeve tattoo

clareketontattoos_hawk_zuess_sleeve

New work!  A full sleeve completed. An eagle, Zeus, Pantheon with roses and maple leaves!

Posted on Leave a comment

WIP – Warrior sleeve tattoo

Another large sleeve tattoo that I’m currently working on, looking forward to the next session!

Work in progress - warrior sleeve tattoo

Posted on Leave a comment

Last minute availability!

clareketontattoos_tattoo_availability_melbourne
Hi!  I’m back in the studio and excited to get back to work, I’ve had a tattoo session rescheduled so I now have August 29th available.  There’s only a few dates left for the year so get in touch quick!  clareketon@me.com  **EDIT – NOW BOOKED**

Save

Posted on Leave a comment

New work – Hannya mask with oriental sleeve tattoo

Hannya mask chest plate and Sakura, Koi and Lotus sleeve

I recently completed this oriental chest plate and sleeve tattoo with Sakura (cherry blossoms), Koi, Lotus flower and Hannya mask.  Here are a few photos from our final session!

Save

Posted on Leave a comment

Work in progress – Dragon oriental tattoo

ClareKetonTattoos_WIP_dragon_orientaltattoo_melbourne

A new piece I’ve started working on which is a chest plate tattoo that wraps over the shoulder and down the back.  Looking forward to working on the Dragon some more in our next session.

Save